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Intelligent alliances or ruthless expansion, wunderwaffen or mass assault? It is up to you which way you choose! Fans of the board games like “Risk” or “Axis & Allies” will love playing Call of War. Conquer provinces, forge alliances and build up your economy. Take over the control of one of the mighty nations during the times of World War 2. In Call of War you rewrite the course of history. Call of War is a free-to-play browser MMORTS set in the 2nd World War: Tank clashes, Naval battles, Air combat. ![]() ![]() ![]() Couple that with the low resource, and bandwidth usage of Discord, and you easily have a winner.Īpart from that, Discord also offers IP, and DDoS protection, so you don’t need to worry about anyone DDoSing your server. The service also allows players to set individual volume levels for other players, so it’s easy to increase the volume for people you want to listen to and decrease it for others. You can also add bots to add extra features. 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Setting up this in game voice feature is bound to come up again and again for other games so financially it makes sense to build this behavior once in a general way. It would be awesome if Blizzard built an inGameVoice Feature Module that could be imported to any of their future or existing game that would allow for this kind of behavior with variables for reskinning. It takes away from the immersion and doesn’t encourage that community building.įrom a technical point of view I could see how this could have a lot of overhead. It’s kind of weird to get into a game and try adding everyone via battlenet especially people you may not know. ![]() ![]() ![]() ![]() The cookie stores information anonymously and assigns a randomly generated number to recognize unique visitors. The _ga cookie, installed by Google Analytics, calculates visitor, session and campaign data and also keeps track of site usage for the site's analytics report. 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![]() The audio is available beneath the score. Here is the music score for two octaves of the Bb Major scale, with the right hand starting on the Bb below Middle C and the left hand starting on the Bb an octave below that. This works well for two and four octave scales. Sometimes scales are played with a slight accent on every fourth note. Ensure the scale maintains a regular rhythm. Start slowly, concentrating on fingering and playing each pair of notes at the same time, and gradually build up the speed. Scales are generally played with the hands one octave - that is, eight white notes - apart. ![]() There’s no particular trick to this - it just takes time to get used to it. Once you’ve practiced both hands separately, it’s time to play the two hands simultaneously. Should you be playing more than one octave, continue the sequence thus: 2, 1, 2, 3, 4, 1, 2, 3, 1, 2, 3, 4, 1, 2, 3, 1, 2, 3, 4, 1… and finishing on a final 3. To play the descending one octave Bb Major scale, reverse the sequence thus: 3, 1, 2, 3, 4, 1, 2, 3. Should you wish to play more than one octave, repeat the sequence from the last finger ‘3’, thus: 3, 2, 1, 4, 3, 2, 1, 3, 2, 1, 4, 3, 2, 1, 3… The ascending one octave Bb Major scale is most easily played by the left hand with the fingering 3, 2, 1, 4, 3, 2, 1, 3 This fingering is different from scales on white keys because of the position of the black keys making the standard 1,2,3,1,2,3,4 fingering cumbersome. ![]() Should you be playing more than one octave, repeat the sequence from finger ‘4’, thus: 4, 3, 2, 1, 3, 2, 1, 4, 3, 2, 1, 3, 2, 1, 4, 3… and always finishing on a 2 for the final note. To play the descending one octave Bb Major scale, reverse the sequence thus: 4, 3, 2, 1, 3, 2, 1, 2 ![]() Should you wish to play more than one octave, simply continue with a ‘1’, continuing the sequence from the first ‘1’ in the sequence, thus: 2, 1, 2, 3, 1, 2, 3, 4, 1, 2, 3, 1, 2, 3, 4… The ascending one octave Bb Major scale is most easily played by the right hand with the fingering 2, 1, 2, 3, 1, 2, 3, 4 Left and right hands fingering for Bb Major scale Right Hand Playing ![]() ![]() One of the fundamental changes in this update is that the SEO Spider will now crawl both the original and rendered HTML to identify pages that have content or links only available client-side and report other key differences. This will only populate in JavaScript rendering mode, which can be enabled via ‘Config > Spider > Rendering’. The old ‘AJAX’ tab, has been updated to ‘JavaScript’, and it now contains a comprehensive list of filters around common issues related to auditing websites using client-side JavaScript. Since the launch of crawl comparison in version 15, we’ve been busy working on the next round of prioritised features and enhancements.ĥ years ago we launched JavaScript rendering, as the first crawler in the industry to render web pages, using Chromium (before headless Chrome existed) to crawl content and links populated client-side using JavaScript.Īs Google, technology and our understanding as an industry has evolved, we’ve updated our integration with headless Chrome to improve efficiency, mimic the crawl behaviour of Google closer, and alert users to more common JavaScript-related issues. ![]() ![]() We’re excited to announce Screaming Frog SEO Spider version 16.0, codenamed internally as ‘marshmallow’. ![]() ![]() The Amazing Pudding (Atom Heart Mother) ( live, : Meistersingerhalle Nürnberg, Nuremberg, Germany) The Amazing Pudding ( live, : Town Hall, Birmingham, UK)Ītom Heart Mother ( live, 1970‐02‐28: University Refectory, Leeds, UK)Ītom Heart Mother ( live, : University Refectory, Leeds, UK)Ītom Heart Mother: a) Father’s Shout / b) Breast Milky / c) Mother Fore / d) Funky Dung / e) Mind Your Throats Please / f) Remergence ( original studio mix)Īmazing Pudding ( live, : Audimax, Hamburg, Germany)Ītom Heart Mother ( live, : Audimax, Hamburg, Germany)Ītom Heart Mother ( live, : Konzert Saal, Technishe Universitat, West Berlin, West Germany) ![]() The Amazing Pudding (Continued) ( live, : Théâtre des Champs-Élysées, Paris, France) The Amazing Pudding (1970‐01‐23) ( live, : Théâtre des Champs-Élysées, Paris, France) The Amazing Pudding ( live, : Théâtre des Champs-Élysées, Paris, France) The Amazing Pudding ( live, : Theatre des Champs-Elysees, Paris) The Amazing Pudding ( live, : Fairfield Halls, Croydon, England, UK) ( renamed as Warner Chappell Music Publishing Ltd. ![]() Ron Geesin David Gilmour ( Pink Floyd) Nick Mason ( of Pink Floyd) Roger Waters Richard Wright ( Pink Floyd keyboardist)Īrtemis Muziekuitgeverij B V Essex Music, Inc. ![]() |
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